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【交响乐】巴巴罗萨 Siegmund von Hausegger - Barbarossa (1899)
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转载自 HAUSEGGER: Barbarossa. 3 Hymnen an die Nacht / Hans Christoph Begemann, bar; Norrköping Symphony Orchestra; Antony Hermus, cond / CPO 777666-2 Siegmund von Hausegger (1872-1948), largely neglected today, was an Austrian composer whose instrumental works are imbued with the musical spirit of Wagner. This came naturally to him since his father, Friedrich, was one of the first to recognize Wagner’s genius and impressed it clearly on his young son. The huge symphonic poem presented here, Barbarossa, was largely the result of political maneuvering. In 1897 the Austrian prime minister, Casimir Badenyi, instituted a “Language Equality Act” in which he tried to put Germany and Czechoslovakia on equal footing. The result of this law punished German-speaking people, trying to force everyone to speak both languages. This was, of course, by no means easy for the German-speaking Austrians, whereas many Czechs already spoke German. Demonstrations broke out across the country. Hausegger, then living in Graz, considered the most German city in the country, saw the agitators and was very disturbed. His reaction to what he considered an injustice led him to consider the old emperor Friedrich Barbarossa and the glory days of his reign. There was a legend that Barbarossa and his followers slept on stone tables inside Kyffhäuser Mountain and that, when his beard grew round the table three times, he and his knights would awake to save the German people in their hour of need. Hausegger depicted this legend in three movements: The Distress of The People, The Magic Mountain and The Awakening. The first movement’s slow introduction symbolizes the German landscape, followed by an allegro section representing the woes of the people. Amidst the strife, a vision of the emperor appears. But the time is not yet right and the movement ends in a mood of desperation. The Magic Mountain depicts the legend of a peasant boy lost in the mists around the Kyffhäuser.
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