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[长笛与乐团]帕格尼尼钟
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https://m.youtube.com/watch?v=9lluM3yBcHg History: Paganini composed his second violin concerto about eight years after the first, when his fame as a virtuoso soloist had already been fully established: by 1825 he was already Knight of the Golden Spur and an honorary member of the Accademia di Santa Cecilia. The premiere of the concerto was an immediate success on account of its last movement in which a triangle is employed to imitate the sound of a small bell. However, the concerto's unofficial title - "La campanella" or "The bell" - first appeared when the piece subsequently premiered in Germany. The popularity of the piece was soon even more well-established by Liszt who was so impressed with the simple tune of the bell that he wrote a fantasia on it. In fact, the rondo achieved such great renown that Paganini would frequently perform it without the preceding movements. Music: Unlike the perfectly virtuoso, fiery first concerto which focuses almost exclusively on the bravura and the bravado of the soloist, "La campanella" centers more on pure melodic content and thematic development than impressive flourishes. Moreover, Paganini (urged by accusations of composing "noisy Turkish music") completely excluded drums and cymbals from the piece. It is perhaps due to these reasons that the rondo gains a light-feathered, clear texture that clearly distinguishes it from the more humorous but also less subtle previous concerto. The main theme is immediately appealing, finding the violin engaging in a playful staccato melody over the bass line of the triangle (the theme is then repeated in full by the whole orchestra). We then pass to elegant ornamentation for the violin which continues the notions already noted in the previous part, before it is cut short by the triangle which returns us once again to the main theme.
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