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京东 11.11 红包
【卢·哈里森】小提琴协奏曲 (1959)
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侵删 原视频简介： Concerto for Violin with Percussion Orchestra, by Lou Harrison Performed by Todd Reynolds (soloist) John Corkill / Third Coast Percussion Video/Audio: Four/Ten Media -------------------------------------------------- Commissioned by violinist Anahid Ajemian, Lou Harrison's Concerto for Violin and Percussion was begun in 1940/41 in New York and completed in 1959. Harrison has on several occasions referred to the Violin Concerto of Alban Berg as a reference for this work. That comparison does somewhat accurately reflect the general sound of the violin soloist's part which, as an example of the kind of internal control which Harrison often imposes on himself, is made up of only intervals of the minor second, major third, and major sixth. The accompaniment is a different matter altogether. With the common world music practice of combining a single melodic part with a purely rhythmic accompaniment in mind, Harrison calls for a combination of "junk" and traditional percussion instruments to accompany the violinist. Among the instruments used are brake drums, galvanized washtubs, clock coils set in a base made from an old guitar body, coffee cans, wind chimes, flower pots, and plumber's pipes. Not surprisingly, it is sometimes difficult to assemble the various instruments called for in the score. For a 1965 performance, Harrison was forced to spend several hours, as he put it, "chasing down metal pikes, dowels, pipe lengths and flower pots in hardware stores." The concerto is in three movements. It opens with a dark, Expressionistic, rather athletic Allegro maestoso. The violin line is quite dissonant and angular. In the middle movement, the long line of the soloist is punctuated by percussive effects, some subtle, some more aggressive. The final movement is rambunctious, with a grand outburst towards the end that evokes the kind of Southeast Asian ceremonial music that has been such a large influence on Harrison. 曲谱同步：BV1R14y1g7rF
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