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【电影原声】【Thomas Adès】柯莱特 Colette (2018)
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Colette — who struggles to be recognized as a writer, defying not only her husband Willy but also societal conventions — has “a number of themes and musical ideas,” says Adès, often voiced by the harp (“when she’s very young, experiencing something”) and piano (“when she re-creates that experience, writing or thinking about it, as it becomes a part of her art”). Husband Willy is often heard via French horn, and friend and lover Missy is often played on the clarinet. Adès even wrote his version of the real-life “Dream of Egypt” number that, when performed on stage by Colette and Missy in 1907, caused a riot when the two women kissed. The composer laughs when recalling Westmoreland telling him that he’d need the piece the following week for shooting. “That was the moment when I realized I’m very much not in Kansas anymore,” Adès says. “In the opera world it would be at least two or three years.” But, he says, he had “real fun with that. It’s the moment where you really want to hear the eruption of the 20th century. Modernism was just around the corner, so I wanted the music to have a slight edge.” Adès played piano and conducted a small ensemble of just 15 musicians in his hour-long score. It was written over two months in New York late last year when he was conducting “Exterminating Angel” at the Metropolitan Opera. He also chose most of the period classical works and even arranged pieces by Debussy, Satie and Saint-Saens for the film.
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