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选自舒曼梦幻曲-Schumann's poetic masterpiece
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https://www.youtube.com/watch?v=zlQiGIs3Y4c Divine inspiration and masterful technique come together in Schumann's Träumerei, op15 no7, to create a short but incredibly poetic masterpiece. Perhaps it's the childlike simplicity and innocence which gives it such charm and accessibility but upon careful analysis, the concise and detailed construction reveals itself as integral to the musical discourse. Schumann essentially only has one melody in the entire piece which undergoes a series of different harmonisations and variations, each time with added subtle touches of colour and neatly woven counterpoint imitations. What I find particularly interesting in the music, which I find not often talked about, is the use of suspension in time. Every phrase begins with an ascending fourth followed by a long note which creates a sort of suspension in time. Schumann makes the listener wait. The melodic line then climbs up slowly over the same chord; essentially we don't hear any movement for quite a while. This gentle stretching and pulling of phrases seems to create the dreamy-kind of landscape that Schumann wanted to evoke. Horowitz in this recording seems to take advantage of that, choosing a particularly slower tempo and employs a rubato that emphasises the suppleness of time in this piece.
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