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Pop Song 375 of 500 'Whiter Shade of Pale' Procol Harum 1967
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Pop Song 375 of 500 'Whiter Shade of Pale' Procol Harum 1967 Please watch the original music video https://www.bilibili.com/video/BV1sD4y1X7aj Keith Reid got the title and starting point for the song at a party. He overheard someone saying to a woman, "You've turned a whiter shade of pale", and the phrase stuck in his mind. The original lyrics had four verses, of which only two are heard on the original recording. The third verse has been heard in live performances and more seldom the fourth. Claes Johansen, "deals in metaphorical form with a male/female relationship which after some negotiation ends in a sexual act". Tim de Lisle, who remarks that the lyrics concern a drunken seduction, which is described through references to sex as a form of travel, usually nautical, using mythical and literary journeys. I was trying to conjure a mood as much as tell a straightforward, girl-leaves-boy story. With the ceiling flying away and room humming harder, I wanted to paint an image of a scene. I wasn’t trying to be mysterious with those images, I was trying to be evocative. I suppose it seems like a decadent scene I’m describing. But I was too young to have experienced any decadence We skipped the light fandango Turned cartwheels 'cross the floor I was feeling kinda seasick But the crowd called out for more The room was humming harder As the ceiling flew away When we called out for another drink The waiter brought a tray And so it was that later As the miller told his tale That her face, at first just ghostly Turned a whiter shade of pale She said, "There is no reason And the truth is plain to see" But I wandered through my playing cards And would not let her be One of sixteen vestal virgins Who were leaving for the coast And although my eyes were open They might just as well have been closed And so it was that later As the miller told his tale That her face, at first just ghostly Turned a whiter shade of pale And so it was that later As the miller told his tale
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