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【钢琴】Grigory Sokolov, 舒曼: C大调阿拉伯风, Op.18, Schumann: Arabeske in C, Op.18
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The Arabeske, Op. 18, was written in early 1839, perhaps as an act of appeasement in a troubled time. Schumann's marriage to his beloved Clara would not take place for more than a year and the couple were busy petitioning the courts for permission to marry, over Clara's father's objection to the union. Robert had been courting Clara since 1835 after a previous romance came to an end; more on this later. To reconnect with the music-buying public in the way that his previous bestseller (Kinderszenen, the amiable Scenes from Childhood) had, Schumann published the Arabeske and Blumenstück (Flower Piece) as Opp. 18 and 19. Schumann was himself somewhat dismissive of the Arabeske and thought it "feeble," but this sounds like the immediate grousing of an artist obliged to work under the dictates of finances rather than imagination. There is magic in this short work. The title is informative: an Arabeske or arabesque is an ornament or style of figural, floral, or animal outlines used to create intricate patterns, inspired by Arab architecure. It is also a dance term, a ballet position. A simple ambling tune makes three appearances, interrupted by two minor-key passages. The tune itself is unchanged in each occurrence, but notice how Schumann obliges us to reassess the figure, as though our view changes when seen through the differing shadows cast by the intervening passages.
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