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【拉赫玛尼诺夫/雷斯庇基】五首音画练习曲【乐队版】
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https://www.youtube.com/watch?v=yvYqiN23zFw 竟然今天才发现了这个宝藏！！！太惊艳了！！！ Sergei Rachmaninoff (1873 - 1943) / Ottorino Respighi (1879 - 1936) - Cinq Études-tableaux (1930) I. The Sea and the Seagulls (Op. 39, No. 2) [0:00] II. The Fair (Op. 33, No. 4) [9:04] III. Funeral March (Op. 39, No. 7) [10:55] IV. Little Red Riding Hood and the Wolf (Op. 39, No. 6) [18:28] V. March (Op. 39, No. 9) [21:26] BBC Philharmonic Orchestra, Gianandrea Noseda (2007) Earlier, Rachmaninov had kept the visual inspiration of the Études-tableaux secret, saying, 'I do not believe in the artist discussing too much of his images. Let them [the audience] paint for themselves what it most suggests.' But with the Respighi orchestration project settled, he wrote his Italian colleague, 'Will you permit me, Maître, to give you the secret explanations of their composer?' Rachmaninov sought thereby to aid Respighi find the right orchestral colors. Respighi was no stranger to Russian music - he was an orchestration student of Nikolai Rimsky-Korsakov. He created brilliant and appropriate colors for all of the pieces. The Sea and the Seagulls was a subject suggested by Rachmaninov's wife after hearing her husband play it. It has murmuring sounds, but with lonely cries from the violin and woodwinds above. Fair is a bustling piece and serves as a scherzo to the five-movement set. Funeral March called forth from Rachmaninov the most detailed explanation: 'The initial theme is a march. The other theme represents the singing of a choir. Commencing with the movement in 16ths in C minor and a little further on in E flat minor, a fine rain is suggested, incessant and hopeless. This movement develops, culminating in C minor -- the chimes of a church. The Finale returns to the first theme, a march.' Little Red Riding Hood and the Wolf opposes orchestral growls for the wolf to high violin music for Red. March allows Respighi to thunder out with the full force of the orchestra.
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