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贝多芬 D大调小提琴协奏曲 Op. 61 Isabelle Faust · 鹿特丹爱乐乐团 · Sir Mark Elder
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转自 YouTube Passion For Violin Ludwig van Beethoven - Violin Concerto in D Major, Op. 61 1. Allegro ma non troppo (00:09) 2. Larghetto (22:30) 3. Rondo. Allegro (31:16) Isabelle Faust, violin Sir Mark Elder, conductor Rotterdam Philharmonic Orchestra Program notes by Mark Rohr: Beethoven composed his Violin Concerto during one of his richest periods: works from this time include the Fourth and Fifth Symphonies, the G-major Piano Concerto, and the Razumovsky String Quartets. He composed it for violin virtuoso Franz Clement, who was known for his wild showmanship (he was capable of playing with his violin upside-down) as well as for great sensitivity, elegance, and scintillating technique. Beethoven was hard-pressed by the deadline of the first performance, so much so that the concerto’s completion became a mad dash to the finish. He was, of course, in the habit of revising his work over lengthy periods of time; on this occasion, though, he left empty staves in the score to accommodate his own revisions and those suggested by Clement. The autograph score shows that Beethoven made ample use of this extra space. Even so, it is said that Clement had to read portions of the solo part at sight, corrections and all, at the first performance. The concerto was not universally well received. According to one critic who heard it, “The judgment of connoisseurs is unanimous; its many beauties must be conceded, but it must also be acknowledged that the continuity is often completely broken and that endless repetitions of certain commonplace passages may easily become tedious to the listener. It is to be said that Beethoven might employ his indubitable talents more fittingly by giving us such works as his earlier compositions, which will always place him in the front rank of composers. It is to be feared, at the same time, that if Beethoven continues upon this path he and the public will fare badly.” Those sentiments may not have been “unanimous,” but they were shared by many.
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