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Chi Se Nne Scorda Cchiù忘不了 Tito Schipa提托 斯基帕 1962年10月3日纽约市政厅告别演唱会录音修复
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Tito Schipa (1888-1965) was a tremendously gifted lyric tenor who born Raffaele Attilio Amedeo Schipa in Lecce on December 27, 1888, he showed early promise as a singer and began studying privately at the age of 11. Schipa’s earliest musical experiences included soloing with his church choir and singing in the children’s chorus of local productions of Carmen and La Bohème. Following a brief period at a local seminary, the young singer returned to music, beginning studies with Alceste Gerunda (1847-1917). During his five years under Gerunda’s tutelage, Schipa not only solidified his vocal technique but learned composition as well. His operatic debut took place a little over a month after his 20th birthday, on February 4, 1909. the 1940s, his repertoire of 45 roles had been reduced to a handful of operas that didn’t require a plethora of top notes. The mainstays were La Traviata, Barbiere di Siviglia, Elisir d’Amore, Don Pasquale, Lucia di Lammermoor, L’Arlesiana, Manon and Werther. After a final Nemorino at Bari’s Teatro Petruzelli in April of 1955, the 66 year old tenor retired from the opera stage. Extravagant living, a costly divorce as well as bad investments had stripped Schipa of his fortune and he was compelled to continue concertizing. A farewell tour culminated in a series of recitals in 1962-63, after which the tenor retired to New York. Following a battle with diabetes, Schipa died on December 16, 1965. Tito Schipa’s voice was not a heroic, ringing instrument. His was a small, sometimes husky voice, but one that he used with absolute mastery. During his prime, he had no trouble making himself heard, even in the largest theaters. Sadly, many remember him best from his final years, when his voice was in decline. Despite dwindling vocal resources, Schipa’s impeccable artistry and taste remained with him to the very end. Fortunately, these attributes have become the legacy of the great tenore di grazia.
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