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Brahms Symphony No. 4 Münchner Symphoniker Music Documentary Alondra de la Parra
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https://youtu.be/F7PQ151psVA?si=PWg8ZMqEHi1ssi_y Apr 6, 2023 #Brahms #MusicaMaestra #AlondraDeLaParra A master symphony with a rough and raw character. Mexican conductor Alondra de la Parra performs Brahms’s Symphony No. 4 with the Münchner Symphoniker at the Tutzing Brahmstage festival in 2022. During rehearsals, she talks about the famous work with musicians and experts. The 4th Symphony has been said to have a rough and austere character because of Brahms’s own reference to the “local climate”. The key of E Minor, which characterizes the first and last movements until the end, and the strict structure of the finale as a passacaglia or chaconne, certainly contribute to this assessment. The first movement begins in a decidedly soft and lyrical manner with a theme of thirds and sixths whose notes, placed one after the other, form a falling chain of thirds: b-g-e-c-a-f#-d#-b. This strict interval structure is just as typical of Brahms’s compositional technique as the contrapuntal-imitatorial treatment of the accompanying voices with numerous canon formations, creating a dense web of voices. Brahms concluded his symphonic work with the Symphony No. 4 in E Minor, Op. 98. At the same time, the 4th also marked the end of the classical-romantic symphony and its idea of enlightenment “through night to light”. The question of how Beethoven’s symphonic legacy could be continued was posed throughout 19th century. Brahms answered it in the finale of the 4th Symphony with a recourse to the Baroque chaconne or passacaglia with 30 variations plus coda. Relying on the majestic austerity and sublime grandeur of this time-tested variation model, Brahms achieved orchestral force and symphonic grandeur in this original way.
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