Anatoly Alexandrov Echoes of the Theatre Op 60_v720P

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https://www.youtube.com/watch?v=LplYMGLFzgk
Anatoly Alexandrov (1888 - 1982), Echoes of the Theatre, Op. 60

Performed by Kyung-Ah Noh

00:00 - No. 1 Aria: Adagio molto cantabile 
02:33 - No. 2 Galliarde and Pavana: Vivo 
05:54 - No. 3 Chorale and Polka: Andante 
08:51 - No. 4 Waltz: Tempo di valse tranquillo 
10:25 - No. 5 Dances in the Square and Siciliana: Quasi improvisata - Allegretto 
12:49 - No. 6 Gavotte: Tempo di gavotte 

Echoes of the Theatre,  Op. 60, is undated but presumably comes from the mid-1940s; without ever descending to specifics its movements seem to evoke music for plays and ballets. These six beautifully crafted pieces do not bear the subtitle ‘in Old Style’, but some of them certainly could, for they appear to hark back nostalgically to the settled world and formal decorum of the Baroque era; but they either invest them with unsettling undertones or are undercut by unexpected stylistic juxtapositions which well illustrate Alexandrov’s mastery of musical characterisation. The gorgeous ‘Aria’, which sets out singing in D major but turns sombrely before the end to the pathos of the relative minor, immediately makes the first approach abundantly clear. A ‘Galliarde and Pavana’ follows, but this is not a binary pair of dances. Rather, the busy E major Galliard (a distinctly twentieth-century spin on the archaic genre, reminiscent if anything of Ravel’s approach in Le Tombeau de Couperin) encloses and envelopes the grave and restrained A minor Pavan, whose archaism is entirely genuine, for a footnote reveals it is a transcription for piano of a sixteenth-century lute piece.

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