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尽管事情变得很糟糕 但还是有理由坚持下去 对世界现状的审视【美国独立/数字/前卫摇滚/emo/后硬核】Glass Beach - Plastic Death
发布人
2024年1月19日发行 glass beach is j mcclendon - vocals, guitar, piano, synth, theremin layne smith - guitar, spoken voice on coelacanth jonas newhouse - bass, keyboard, synth william white- drums gang vocals by j mcclendon, layne smith, jonas newhouse, william white, and daxe schaeffer featuring additional performances by jer hunter - trumpet and trombone on motions and 200 tony sanders - trumpet and trombone on coelacanth, trumpet on motions tommy pedrini - marimba on coelacanth and whalefall camille faulkner - violin on the killer and commatose additional instrument parts arranged by j mcclendon recorded, engineered, and mixed by layne smith and j mcclendon aka rat castle recordings additional engineering for marimba recording sessions by chioko yamasato mastered by will yip album cover by daxe schaeffer additional art and packaging design by daxe schaeffer and j mcclendon That introspection is felt into the overall atmosphere of plastic death, too, which sees the playful maximalism of the first glass beach album evolve towards something a bit more abstract, darker, and proggier. Like Weyes Blood’s 2022 opus And In the Darkness, Hearts Aglow, plastic death hopes to rip off your rose-colored glasses, gorgeously utilizing McClendon’s allegorical references to literature and the deep sea. While the first glass beach album was more heavily concerned with how one’s individual identity fits in to the contemporary world, plastic death explores how the world itself shapes those identities. But even in all its macabre observations, plastic death doesn’t feel nihilistic. It’s a vivid, moving, yet realistic examination on the world at large — as terrible as it gets, glass beach seem to say, there’s an argument to be made for sticking around.
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