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Nyíregyházi演奏李斯特的彼得拉克十四行诗123号
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YTB "Practice isn't important for me, because my performance is driven by my feeling and emotion ... I don't own a piano now. I don't need it, because I can always hear it. Even though there are no keys around me, I can feel them through my fingers and hand." Ervin Nyíregyházi By now, the story of Ervin Nyíregyházi (1903-1987) has become so legendary, it scarcely needs repeating: a child-prodigy on the level of Mozart and Saint-Saens, a spectacular Carnegie Hall debut in 1920, a career flameout soon thereafter, ten marriages, and decades of poverty before a short lived rediscovery in the 1970s. There were sensational headlines, and much controversy among musicians and critics, but Nyíregyházi, uncompromising when it came to his artistic ideals, was unwilling to milk the publicity for the sake of money or status or fame. He refused lucrative offers to play in in Carnegie Hall, and refused to abandon his down-and-out lifestyle. There are no proper recordings of him in his prime. He was only recorded later when he hadn't owned a piano or practiced properly in 40 years and he was usually very drunk. Kevin Bazzana released a book about his remarkable life (he had ten wives before his death, one of whom tried to murder him and one of whom was the mother of a previous wife), called "Lost Genius". I beheld on earth angelic grace, and heavenly beauty unmatched in this world, such as to rejoice and pain my memory, which is so clouded with dreams, shadows, mists. And I beheld tears spring from those two bright eyes, which many a time have put the sun to shame, and heard words unered with such sighs as to move the mountains and stay the rivers. Love, wisdom, excellence, pity and grief made in that plaint a sweeter concert than any other to be heard on earth. And heaven on that harmony was so intent that not a leaf upon the bough was seen to stir, such sweetness had filled the air and winds.
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