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【Claude Vivier】- Bouchara (1981) [w_ score]
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https://m.youtube.com/watch?v=6q98EyAWhFQ Bouchara - for soprano and ensemble Written by Claude Vivier in 1981. Performed by Marie-Danielle Parent (soprano) and the Société de musique contemporaine du Québec, conducted by Walter Boudreau. Claude Vivier's 1981 Bouchara for soprano and chamber orchestra is named after an ancient city in Uzbekistan, mentioned in the memoirs of Marco Polo. This work was intended as part of a collection of pieces that would constitute a musical narrative on the subject of the great explorer. Bouchara is sung in syntax of the composer's own devising, made up of sounds from various European and Asian languages. It is meant to be a love song sung in the language of love, a story that repeats itself continually, and is always the same. Structurally, in amorous tales, only the obstacles change. Among the four surviving works of Vivier's Marco Polo project, this one is shortest, barely twelve minutes long. It is rarely talked about, mostly because a similar work from the same series, Lonely Child, received international recognition and was championed by Ligeti. Bouchara is not as all-encompassing as Lonely Child. It is steeped in a timeless atmosphere: exotic, avant-garde, and immediate. Listeners feel the emotions without having to be especially familiar with Vivier's style of writing. His concerns center on melody and color; the melodies are generally simple but unique to the composer's style. The colors are extraordinary, always changing, sometimes following the singer, and sometimes surrounding her. Gregorian chants and Balinese percussion are a clear influence.
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