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【比贝尔】模仿奏鸣曲 Biber - Sonata violino solo representativa
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https://www.youtube.com/watch?v=71_kv1FpgfM biber的音乐向来奇葩，这部作品模仿了一些动物的叫声 00:00 - I. Allegro 01:52 - II. Nachtigal (Nightingale) 03:15 - III. CuCu (Cuckoo) 03:56 - IV. Fresch (Frog) 05:06 - V. Die Henn & Der Hann (Cock & Hen) 05:41 - VI. Die Wachtel (Quail) 06:25 - VII. Die Katz (Cat) 06:50 - VIII. Musqetir Mars (Musketeer’s March) 08:05 - IX. Allemande - Biber opens his Sonata representativa with a not-so-programmatic Allegro that is in AB form with a slow introduction. A dotted figure in the opening melody becomes increasingly prominent at the climax of the movement. - The "Nachtigal" movement begins with an extended, cadenza-like segment for violin alone in which the instrument imitates a nightingale through falling thirds and trills. - In "CuCu" we hear the familiar sound of the cuckoo played beneath a rapid tremolo on the violin. This high-energy movement lasts only about half a minute before moving into... - the next section, "Fresch" (Frog), in which Biber conveys the croaking of a frog by writing harmonic seconds and out-of-tune glissandos mixed with some tuneless scraping of the strings. A lyric slow passage closes the movement. - "Die Henn und der Hann" (The Cock and Hen) is a very fast, brief movement also featuring glissandos and clashing semitones. - "Die Wachtel" (Quail) provides contrast with its slow tempo and pp dynamic as it presents a reiterated dotted figure. - "Die Katz" (Cat) has a rising tune, the last note of which slides downward, evoking a cat's "meow." - The eighth movement, "Musqetir Mars" (Musketeer's March) also appears in Biber's later Battalia (1673), although somewhat altered and with the title, "Der Mars." Its drone accompaniment and percussive interjections, supporting rapid violin figurations, set it apart from the rest of the sonata. - Biber closes the sonata with a slow Allemande, in ternary form, and devoid of imitative noises.
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